King Omar bin al-Nu'uman and His Sons
Before You Begin
Before you begin.
This book follows one of the largest connected narratives in The Thousand Nights and a Night. It begins in Baghdad with King Omar bin al-Nu'uman and his children, then widens through journeys, campaigns, separations, disguises, inheritances, and returns. The story repeatedly pauses to let one character tell another story. Those inner tales belong to the design of the work: they delay answers, mirror the outer action, and change what the listeners understand.
The original printing divides this narrative between two bound volumes. The break occurs while an inner tale is still unfolding. This LitLab edition joins the complete narrative into one reading experience: pages 77–333 of the original Volume II followed by pages 1–113 of Volume III. The next independent tale in Volume III begins on page 114 and is outside this book.
The numbered Nights remain visible as the book's reading rhythm. Each division closes at an authentic narrative handoff, and the short “Previously” passages help readers return to a story whose cast and chronology expand over many generations. The illustrated gallery presents the principal court, family, travelling, military, and frame-narrative figures as one complete visual register. Characters who appear only inside a report or disputed account are identified as such in the editorial material; their portraits do not certify those accounts as historical events.
Richard F. Burton's English translation is ornate, allusive, and densely annotated. His notes are preserved with the source apparatus, but they reflect the assumptions and vocabulary of their period rather than modern historical consensus. Illustrations and maps are literary interpretations, not documentary portraits, surveyed plans, or proof of historical geography.
The narrative contains coercion, captivity, warfare, bereavement, and other severe events. This edition preserves their place and consequences while rendering selected explicit sexual detail and sexualized violence in concise, non-graphic language. The editorial disclosure records those interventions without presenting the resulting text as a new translation.